Ricardo López...

The Immersion | March 20 - April 8. 2012

So, the second time Ricardo came, back in 2007, he taught us some tangos.  And this was one of the letras he set our dance to…

No me pegues bocaítos
Que tú me haces cardenales

Cuando yo voy a mi casa
A mí me los nota mi madre
Tradcional

 

Don’t bite me
because you give me bruises

And when I go to my house
my mom notices
Tradtional

And here is Niña Pastori singing it por bulerías, cool.

Remember, translating is not the easiest thing in the world for me to do.  Should you come up with a different interpretation, or if you simply want to share your thoughts.  Please leave a comment here.

And, the details are up.

The details on the upcoming Immersion with RicardoOlé.  There are many choices, many opportunities!  (Don’t worry, there really is something offered for everyone.)

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What Three Dancers Had to Say

by Laura on February 15, 2012

A couple of weeks ago we had a performance.  Abby, Julie, and Kikuyo, three members of the PFE Performance Group took part and danced fabulously, absolutely fabulously.  I was so happy to be on stage with them, dancing together, supporting one another.  I loved seeing how they each embraced their performance selves because they really truly did.

As you may know, I love to interview people, so I asked these lovely dancers some questions.  And I thought you might want to hear what they said.

What has been challenging for you in preparing for this show?

J: Remembering all the cues to watch and listen for and adjusting to the little changes made at each rehearsal

K: Having confidence in myself

A: To work on a small amount of material that could seem basic but in fact is not!  It’s like they say, there are no small actors, only small parts.  It’s been both challenging and interesting to work on a few repetitive movements, figuring out how to make it engaging and dynamic.

What has been fun for you in preparing for this show?

J: Both observing and participating in the artistic process of developing a new original piece of performance art, especially when Diana and Nat have been present.  As someone who is only a wannabe artist, it has been fascinating to be a part of that process.

K: Working together to build up for the show.

A: I really enjoy being a part of the “cuadro”, participating as a dancer with the guitarist and singer.  Both are talented and working as a group for me is very enjoyable.  I felt connected as a dancer.

How does this experience differ from you previous performing experiences?

J: It is a less traditional flamenco piece, and normally I perform a whole choreography either alone or with others, but never before just a fragment of a larger piece like this one, which is made up of several distinct “vignettes”.  Also, most of the dancing that Kikuyo and Abby and I do in this piece is not accompanied by music, which is something really different for me.

K: From all the practice and rehearsals I could see how you make a show which I have never seen before.

A: It felt more real, especially since it was a work in progress.  We were showing the progress made in a short period of time, which is different than having a long time to perfect and over think a piece.  Also, I’ve not participated in a piece where the syncopation and footwork rhythms overlapped so much to provide a framework for the main dancer.  Fun!

How are you feeling about Saturday’s show?

J: Excited because every time we practice together, it’s SO MUCH FUN!  We’ve worked well together as a group.  Also a little nervous because I don’t often have the chance to perform in a more professional production like this one.

K: I have never participated in a show like this.  I feel my responsibility like I have never felt before.

A: I remember feeling excited to perform and be in the moment!  I always get to a point where I am no longer nervous, but get into the fine tuning details and have fun.

And then Julie said…

I have learned so much just from watching and listening to Laura, Diana and Nat, and from the little bits of advice and tips for improvement from Laura.  And it’s been fun spending some extra time with Abby and Kikuyo.

And Kikuyo said…

Thank you for giving me this opportunity.

And Abby said…

I am looking forward to performing with this group again!  Thanks, Laura, for the opportunity!

I know

that they each did a lot of noticing and practicing in preparation.  ¡Olé, guapas!
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I would love to hear from you.  How do you feel when preparing for a performance?  One of any kind…  Many a thing can be considered a performance really.  Leave your thoughts here.
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Some things About Ricardo

by Laura on February 12, 2012

I want to tell you a good story about Ricardo, in honor of the fact that the schedule for the Immersion is up.  , it’s up!

There are many stories running through my brain

But I don’t feel like writing any of them right now.

So, I’ll just tell you some of the things I enjoy about him being here:

  • He makes us laugh.
  • He makes us sweat.
  • We learn a whole bunch of stuff in a short amount of time. And it’s fun and not competitive like many of the workshops at the various festivals
  • He has this energy, that is infectious, that he brings with him, and it is unique to him.  Those of you who’ve taken with him, you know what I mean…
  • He knows A LOT, and he holds back nothing.  Nada.
  • He challenges us.  In good ways.
  • Everybody feels happy when he’s here.  Everybody likes him!
  • He sincerely enjoys being here with us.

And just a few additional things I like about when he comes:

  • He drives my car.  He likes driving.  I do not.  It’s wonderful!
  • He likes to stay up late too, so I don’t feel so weird being me.   Most of my closest friends go to bed early, or perhaps one might say on time?
  • He loves to eat soup.
  • He is neat and tidy.
  • He goes with the flow.
  • He is helpful.

Anyway, there is more to come, and further Immersion details will be announced soon.  You can tune in here, in the news, on facebook

What are some of the things you enjoy about Ricardo being here?  Or perhaps there is something you would like to know.  All comments welcome here.

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Last week you read about how his love had arranged to see someone else at la Puerta de Toledo.

And here is the next copla

II. Me decía que iba a misa, mare, y me engañaba

Y me engañaba
Me decía que iba a misa, mare
Y me engañaba

Y me engañaba
Si no llevaba rosario, ni libro
Como rezaba

En el mismo sitio
A la misma hora
Estaba rezando
Con otra persona
Tradcional

II. She told me she was going to mass, mother, and she deceived me

And she deceived me
She said she was going to mass, mother

And she deceived me

And she deceived me
If she didn’t take a rosary or bible
How did she pray

In the same place
At the same time
She was praying
With another person

Traditional

And today in classes, we’ll be dancing some sevillanas if you want to join in.  I probably don’t need to remind you that this is a recipe for fun.  On Wednesday we warmed up with sevillanas in the advanced class,

And it was absolutely beautiful seeing each dancer’s personal interpretation.

 

Remember, translating is not the easiest thing in the world for me to do.  Should you come up with a different interpretation, or if you simply want to share your thoughts.  (Using church as an excuse to see your amante, ay!  That’s bad.)  You can leave a comment here.

Oh, and in case you’re wondering

Por fín, I got all of Ricardo’s plane tickets taken care of last night.  (I’m not willing to say how many hours this has taken.  Just. to. get. the. plane. tickets.  And you know this has been in the works since October!  We had some issues.  Many had to do with Spain.  Needing to wait for this and needing to wait for that.  You know how that goes.)  But, it’s done!  And the Immersion Schedule will be out tomorrow.

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Ay!  Just got home from performing in Salem with Al-Andalus and realized that I had not yet published the letra.  Y hoy es viernes!!!

So below are some sevillanas.

Some sevillanas that Ricardo and I danced.

Some sevillanas that he actually doesn’t like that much…

And, speaking of Ricardo,

He’ll be here in just about a month.  Stick around as I’ll soon be announcing details of the Immersion and his Show.

For now, here you go:

A La Puerta de Toledo

I. A la Puerta de Toledo, madre, le tengo celos

Le tengo celos
A la Puerta de Toledo, madre
Le tengo celos

Le tengo celos
Porque se cita con otro
La mujer que yo más quiero

En el mismo sitio
A la misma hora
Se estaba besando
Con otra persona
Tradcional

A La Puerta de Toledo, mother, I am jealous

I am jealous
At the Puerta de Toledo, mother

I am jealous

I am jealous
Because she’s going out with another
The woman I love the most

In the same place
At the same time
She was kissing
Another person

Traditional

This is just the first copla.  Perhaps I’ll post the other three that go along with it next Friday.  Until then,  if you want more, come join us in class for sevillanas on Wednesdays, Fridays, or Sundays or listen to Chiquete singing them here.

And you’ve heard it before; translating can be a challenge; if you come up with a different interpretation, or if you simply want to share your thoughts, leave a comment.

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And Then, the Smiles

In the past weeks I’ve noticed something.  For those of you who’ve been reading, you know that I am trying to make this year all about noticing. Anyway, in class I’ve seen people coming in with all kinds of expressions. Many people wearing the kind of day, or week, they’ve had on their faces. Class [...]

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Viernes con una Letra | una coletilla

Today we’ll keep it short and sweet.  A little coletilla to tag onto a bulerías letra.  More bulerías classes coming up in February at the NEW studio! Como ronea, como ronea delante del novio pa que la vea Traditional How she shows off, how she shows off in front of her boyfriend so that he [...]

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No Soy Bailarina

So, I was taking a walk today, yes, when perhaps I should have been practicing and preparing for Saturday’s show, especially as I’ve been focusing way too much all month on the idea that I haven’t had enough time to dedicate to it, what with the studio floor crisis and all of these things that [...]

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Viernes con una Letra | in preparation for Fertile Ground

So, Danica Sena introduced me to this estribillo, from the end of a farruca, which she danced beautifully.  Gracias, guapa! Báilame Malena Báilame Malena tira al viento todas tus penas rompe ya todas tus cadenas y olvida tú sin razón Mira que el cariño que te tengo es de niño yo te quiero más que [...]

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Viernes con una Letra | Tanguillo

Tanguillos.  I love love love tanguillos! Los Habitantes del Mundo Perdido Niño Josele/Javier Limón Corazón perdío que me vuelve loca y a caramelito me sabe tu boca. Lo que tú camelas es cañaverales Y lo que yo chanelo tú no lo sabes No te doy un beso Ni a tí ní a nadie, Si no [...]

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